Music always reflects a lot of what is going on in my life. When I’ve not been listening to it very much, I’ve usually been pretty miserable. The times when I have been listening to it constantly have often been the best times of my life. From incessantly replaying “Jeremiah was a Bullfrog” on an old record player when I was 5 to constantly listening to the likes of Jeff Buckley and Pavement when I worked in college radio to this point in my life where I’ve learned to recognize that the one real joy of the open road is the ability to listen to 7 straight hours of music (unless you are in a blizzard and fending for your life on the road…then, you should listen to the news).
While I zoomed throughout the Midwest and to the east coast, when I was packing and unpacking and repacking, when I was designing and writing this zine, lots of records provided soundtracks and inspiration, but here’s a little bit about two records that have truly knocked my socks off…
It’s a funny thing being a freelancer. Record promotions companies and some of the smaller record labels have me on a list and when they are set to release something, they send a copy to me free of charge. The fact that a relative nobody like myself acquired two free copies of Stephen Malkmus’s self-titled solo record or that I get the latest Bright Eyes release months before all the 17 year old emo kids who truly desire it is a strange combination of luck and charm and blatant self-promotion. Often, when I open a manila paper and bubble wrap parcel, the CD contained inside is a definite disappointment. But, every once in a while, I stumble upon an album that I listen to over and over and over again.
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